The visionary properties of Pablo Amaringo’s work are akin to a trip through the deep jungle of the Amazon, with its intricate patterns, vivid colours, and striking imagery leading the viewer through a portal into another dimension of reality. The lines and forms in Amaringo’s work seem to writhe and twist like vines, each stroke creating a network of connections between the conscious and the subconscious, the seen and the unseen.
Like William Burroughs’ cut-up technique, which disrupted the conventional narrative structures of language and exposed the underlying associations and meanings, Amaringo’s visionary art dismantles the boundaries between different levels of consciousness, revealing the hidden connections between the physical and spiritual worlds. His art is a kind of visual language, with each element conveying a deeper meaning and significance that can be unlocked through meditation or contemplation.
In Amaringo’s work, one can discern the influence of shamanism, ayahuasca, and other indigenous Amazonian traditions, emphasising the interconnectedness of all things and the importance of spiritual vision. The paintings are not simply representations of the physical world, but rather gateways into the deeper mysteries of existence, inviting the viewer to explore the liminal spaces between waking and dreaming, between the material and the spiritual.
Like Burroughs, who sought to subvert the dominant culture and language of his time, Amaringo’s art is a challenge to the dominant modes of perception and understanding, encouraging us to look beyond the surface level of things and engage with the hidden dimensions of reality. Through his visionary art, Amaringo offers us a glimpse of a world that is both familiar and otherworldly, a world that exists in the spaces between the conscious and the unconscious, the known and the unknown.